After recording, I realized I forget to show you the ‘Exposure’ slider I’ll do a follow-up with some of the additional controls, including an overview of the excellent HSL Keyer interface. Because it’s such a big plug-in, I’ve focused this Insight on the 3-Way Wheels, Hue vs. I give Colorista III the same treatment here. Long-time members know that I like to work on a grayscale and then throw around knobs, sliders and wheels to see what precisely our tools are doing to our images. My end goal is to decide which one ‘go-to’ plug-in I’ll add to FCP X to enhance its built-in color correction toolset? In this Insight, we’ll break down Colorista III’s image processing On top of that, it’s always been available in every major NLE, with identical functionality whether in FCP, Avid or Premiere.Ĭolorista III has seen a streamlining of its interface. And it’s up and running on FCP X, so we’ll be taking a look at it as part of the FCP X Desert Island Challenge. Then in Colorista II they produced an outstanding interface for pulling keys. Colorista has always been known for its innovative User Interfaceįirst, it integrated Mask controls directly within the plug-in-vastly simplifying advanced color correction tasks. This latest version was released in Spring 2015 – but it’s been around for nearly a decade. In this Insight, we’re going to take a tour of the newest version of the oldest color correction plug-ins on the market, Red Giant Software’s Colorista III. We’ve looked at one of the newest entrants for color correction plug-in solutions, Color Finale. The FCP X Desert Island Challenge Part 12 Colorista III: An Overview for Final Cut Pro X Tutorials / FCPX Desert Island Challenge / Tutorial – An Overview of Colorista III for Final Cut Pro X Series
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